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Death Metal and Black Metal Geographical Distribution Worldwide Metal Map
click continent for indigenous metal bands

North American Heavy Metal Music

Texas | United States | Quebec | Canada

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Texas

Texas Death Metal

Absu
Acerbus
Averse Sefira
dead horse
Divine Eve
Fearless Iranians From Hell
Imprecation
Rigor Mortis

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United States

Los Angeles Death Metal

Abomination
Absu
Acerbus
Angelcorpse
Autopsy
Averse Sefira
Baphomet
Black Goat
Brutal Truth
Capharnaum
Ceremonium
Corrosion of Conformity
dead horse
Death
Death Strike
Deceased
Deeds of Flesh
Deicide
Demoncy
Demonic
Deteriorate
Drogheda
Engrave
Exhumed
Fallen Christ
Fearless Iranians From Hell
Gutted
Havohej
Hemdale
Imprecation
Incantation
Infester
Inquisition
Krieg
Lepra
Massacre
Monstrosity
Morbid Angel
Morpheus Descends
Mythic
NME
Nuclear Assault
Nuclear Death
Num Skull
Obituary
Oppressor
Possessed
Powermad
Profanatica
Prong
Pyrexia
Rachel Barton Stringendo
Resurrection
Resuscitator
Revenant
Rigor Mortis
Rise
Sadistic Intent
Sarcophagus
Slayer
Suffocation
Terrorizer
Thanatopsis
Von
Yamatu
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Quebec

Gorguts
Mesrine
Sorcier des Glaces
Voivod
Cryptopsy
Kataklysm
Martyr
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Canada

Blasphemy

South American Heavy Metal Music

Brazil | Colombia | Peru

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Brazil

Sarcofago
Sepultura

Colombia

Inquisition

Peru

Mortem

Central American Heavy Metal Music

Mexico

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Mexico

Auzhia
Cenotaph
Monastery
Mortuary
Xibalba

European Heavy Metal Music

Sweden | Finland | Norway | The Netherlands | Austria | Belgium | Germany | Poland | Switzerland | France | Spain | United Kingdom | Italy | Greece

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Sweden

Swedish Death Metal

Abyss, the
Abruptum
Bathory
Cartilage
Dark Funeral
Dark Tranquility
Dawn
Dismember
Dissection
Entombed
Eucharist
Grotesque
Hetsheads
Hypocrisy
Fleshcrawl
Luciferion
Marduk
Merciless
Mortiis
Mysticum
Necrophobic
Niden Div 187
Ophthalamia
Sacramentum
Seance
Setherial
Swordmaster
Therion
Throne of Ahaz
Unanimated
Unleashed
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Finland

Adramelech
Amorphis
Belial
Demigod
Demilich
Impaled Nazarene
Sentenced
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Norway

Ancient
Arcturus
Burzum
DarkThrone
Dimmu Borgir
Emperor
Enslaved
Gorgoroth
Hades
Ildjarn / Sort Vokter
Immortal
Katatonia
Kvist
Mayhem
Molested
Tartaros
Thorns
Troll
Ulver
Zyklon-B
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The Netherlands

Asphyx
Pestilence
Sinister
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Austria


Pervertum
Summoning

Belgium

Ancient Rites
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Germany

Atrocity
Blood
Torchure
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Poland

Behemoth
Betrayer
Graveland
Infernum
Vader
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Switzerland

Hellhammer / Celtic Frost
Samael
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France

Asgard
Massacra
Supuration

Spain

Blazemth
Necrophiliac
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United Kingdom (England, Scotland, Wales, Cornwall, Ireland, Jersey)

Bolt Thrower
Cathedral
Napalm Death

Italy

Necromass
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Greece

Necromantia
Rotting Christ
Septic Flesh
Varathron

Asian Heavy Metal Music

Reviews from bands in this area are planned for the future.

African Heavy Metal Music

Reviews from bands in this area are planned for the future.

Middle Eastern Heavy Metal Music

Reviews from bands in this area are planned for the future.

Australian Heavy Metal Music

Urgrund

Heavy Metal Geography

Metal is a worldwide phenomenon, spanning the globe and every race known to humanity in the pantheon of its originators. From the spread of heavy metal as the cheap jet fuel that represented the only vaguely relevant aspect of colonialism to the emergence of death metal in populations of alienated and critical youngsters immersed in the tradition and anchored in the longstanding lineage of their nations, metal is an outspoken voice of dissent, change, and abstract thinking in countries and continents otherwise enslaved to the current world culture of mass consumption, avoidance of the value of life in order to deny mortality, slavery to subservience in order to escape the burden of personal choice, and destruction of nature to obliterate the traces from which we emerged as a species.

From North America to Australia, from far East Asia to the nearer shores of Europe, from the Norsk northlands and the South African steppes, and even from the Middle East to Central America, death metal and black metal and heavy metal and grindcore and thrash have manifested a presence which is more or less permanent. Furthermore, the civilizations within society have adopted it as a facile and resilient voice in the style of cultures as diverse as the Native Americans of the United States, the Inca in Peru, the Tamil in Sri Lanka, the Montagnard in Laos, the Nordics in Sweden and the native peoples of the Brazillian rainforest. All of this origination goes to show: metal isn't about where you're from, but how you think - a tendency that spreads itself alongside the world intellectual malaise of symbolic denial.

 

Death Metal and Black Metal Search Engine

Heavy Metal FAQ

Sunday 04 May 2008 at 11:16 am We've updated the Heavy Metal FAQ with new information and clearer articulation of the beliefs behind metal music. Our basic belief is that heavy metal art is that espouses the anti-civilizing principle in order to keep civilization from becoming a cancer. Check it out and let us know what you think.

Sanity and Metal

Thursday 24 April 2008 at 7:04 pm There's two ways to look at sanity.

If I'm starting a band, and I'm a realist, I see a bleak future. Thanks to technology, life always gets more expensive. You have tools to save time, but they cost more, so you either earn cash or go into the ghetto and work food service for the rest of your life. So if you're starting a band, it needs to be a career. Make songs many people want to hear. Make money from those songs. Then you can be a musician your whole life.

On the other hand, there's another kind of sanity. If you're going to be a musician, you recognize there's two levels to that: being able to play music, and being able to create -- write -- music that is evocative and powerful. Of course, the masses want distraction from living in ghettoes, so you're not going to demean yourself by making that. Instead, you'll make great art, and feed your soul if not your body. You might even find a way to sell enough of it to live on the fringes of the ghetto.

Both perspectives are valid. However, the first leads to a society chasing its own tail in decline, and the second leads toward building something greater which will continue to get better, and may transcend its meanspiritedness enough to no longer be a ghetto/rich whore division. Metal is fundamentally geared toward the latter because metal is about taking something that is offensive to most people (loud noise, heavy dark topics, bassy violence) and making it into something beautiful, even if most people are blind to that beauty because they fear it. The metal way is nto following the sheep.



Now do you see why there's such a binary division between true bands and sell outs?

Quick Reviews: Hod and Fetid Zombie

Wednesday 16 April 2008 at 7:35 pm

Hod - Cry and Piss Yourself

A fusion of Mayhem and Satyricon with impulse-driven American turbo death metal like Angelcorpse, Hod brings zero surprises but keeps the power of momentum balanced with an ambiguous lightly dissonant harmony. It suspends belief with single-string riffs which turn opposite views of a note cluster into an ambience, then launches into Gorgoroth-style additive chord progressions that end in obscure suggestions of direction which never materialize. The object of this band appears to be the contrast between mood and adrenaline, and if it does so without any particular deviation from the past, it also does so well. Its strength is this balance, and its weakness is a tendency to fall into variations of patterns that Destruction and Kreator made cliche long ago, but there is potential here for development if the band is able to flesh out its repertoire of riffs without losing the single-mindedness of its songs. Sometimes this band is like listening to someone's metal collection; for example, the song "Demoralizer" could have come from a Master session outtake. But what's with the 89-IQ-point, Pantera-inspired title?



Fetid Zombie - Pleasures of the Scalpel

Once upon a time, a lonely genre called death metal thrived, and people liked it because its message "only death is real" cut away the illusion of a world obsessed with social status, self-serving morality and trends. Then, some trendy fratboys put together a band called Cannibal Corpse and made the first real parody of death metal, except that they seemed serious, and people bought it in droves. Soon many imitations burst fully formed out of the garage studios of the world. Fifteen years later, Fetid Zombie skewers that tendency with a parody that takes the most simplistic aspects of death metal and blows them gloriously out of proportion. Guitars ride the downbeat of a chant synchronized to basic drums, hammering out the most linear riff patterns possible, on absurd topics of carefree infection, happy mutilation and joie de mort. It's unlistenable but delivers a message the death metal community needed to heed long ago.

Independent Heavy Metal Reviews

Thursday 10 April 2008 at 9:29 pm

For some time, ANUS maintained a section of reviews for stuff that had not achieved classic status but was interesting to know about nonetheless. See our indepdent heavy metal reviews for reviews of P - The Larch Returns, Alchemy - Alchemy, Lubricant - Nookleptia, Bethzaida - Nine Worlds, Depression - Chronische Depression, Phlegethon - Fresco Lungs, Avathar - Where Light and Shadows Collide, Order From Chaos - Dawn Bringer, Vordven - Woodland Passage, Warhorse - Warhorse, Revenge - Victory. Intolerance. Mastery, Aukrehg - Lands of War, Revenge - Triumph.Genocide.Antichrist, Vinterland - Welcome My Last Chapter, Regredior - Forgotten Tears, Sombrous - Transcending the Light, Emit/Vrolok Split, Nightbringer - Rex Ex Ordine Throni, Polluted Inheritance - Ecocide, The Tarantists - demo 2004, Beyond Agony - Last of a Dying Breed, Fireaxe - Food for the Gods, Gnostic - Splinters of Change, Therion - A'arab Zaraq Lucid Dreaming, Alethian - Dying Vine, Harkonin - Sermons of Anguish, Dug Pinnick - Emotional Animal, Aphotic/Dusk Split, Emit - A Sword of Death for the Prince.

Wednesday 09 April 2008 at 8:36 pm Apparently, the fragile but adept partnership that was Celtic Frost has dissolved with the departure of lead conceptualizer Tom G. Warrior. The other members will carry on as they were. From the official website, "Celtic Frost singer and guitarist Tom Gabriel Fischer has left Celtic Frost due to the irresolvable, severe erosion of the personal basis so urgently required to collaborate within a band so unique, volatile, and ambitious." From all of metal: we are not glad to hear this but if it's what all members must do to keep creating, do it, and keep creating ambitious metal. Ignore whores, hipsters, ingrates and Jesuits.

Resurrection - Ritual Slaughter

Wednesday 09 April 2008 at 8:23 pm
So we're lazy around here, but it doesn't mean the metal has stopped flowing. We fed our metal-chain a high colonic and found ourselves listening to the latest from Florida's Resurrection. In short, it's good -- but there's too much Exodus/Pantera/Exhorder style bounce riffing. We're hoping they follow it up with something even more ambitious because the moving songwriting is still there. Check out the review;

Resurrection - Ritual Slaughter

Black Metal and MP3s

Wednesday 02 April 2008 at 5:42 pm


With MP3s, and newly fragmented civilization, it's harder to sell music. See how black metal will react to the new music market.

Sorcier des Glaces

Wednesday 26 March 2008 at 4:05 pm Sorcier Des Glaces - The Puressence of Primitive Forests



Canadian black metallers SORCIER DES GLACES have commenced the songwriting process for their "third chapter," tentatively titled "The Puressence of Primitive Forests". Plans exist for the group to enter the studio later in the year. According to a press release, "it shall be the ultimate offering of misanthropy, hating humans beings for what they are and hiding far in the coldest landscapes still untouched by their dirty hands."

SORCIER DES GLACES released its second offering, "Moonrise in Total Darkness", in 2006 on Mankind's Demise Records.

For more information, visit Sorcier des Glaces AIDSpace

Ildjarn "Final Statement"

Wednesday 26 March 2008 at 3:07 pm

The hardworking activists of the Metal Hall: Cadre bring you the final statement of the artist behind Ildjarn as he discusses life, the flaccid scene, the impotence and stupidity of most people, the degeneracy of modern society, and the freshness of young ladies. Read it here: Ildjarn "Final Statement" from "Ildjarn is Dead".

Sinister release demos compilation

Wednesday 19 March 2008 at 5:27 pm

SINISTER are releasing "material released during the 1990-1992 period including their 2 EP's from 1990, the 1990 and 1991 demos, the split EP with MONASTERY from 1991 plus special bonus tracks!" You can hear an advance track here: Sinister - Putrefying Remains.

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