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Suffocation, death metal band from New York, invented percussive death metal in the style of percussive speed metal (Exodus, Metallica) but with the extremity of death metal

Interview: Suffocation

No one has or will create death metal like Suffocation. Taking the muffled hard-stop strumming of speed metal, mixing it in with the structural cryptograms of death metal, and amplifying the intensity, Suffocation innovative the percussive death metal that spawned the goregrind genre and countless imitators. Drummer Mike Smith was kind enough to give us an interview on the state of the band and its future.
1. You've said in the past that Suffocation was inspired by the heavy metal of its time as well as the hardcore punk that was contemporaneous. A lot of the Suffocation sound however seems influenced by the speed metal bands like Exodus, but taken to a new extreme. Is there any truth to this, and how did you arrive at this fusion?

It was a natural progression of all things unaccepted in the mainstream. It started with metal, we rebelled like punks, and were driven by the speed or thrash metal that was at the time.

Suffocation is what we choose to be at any given time. If we chose to do an album of gloomy doom metal we'd differ from most at that too. It depends on how we feel and what kind of attention the world is paying.

Mike Smith of death metal band Suffocation, who invented percussive death metal in New York in the early 1990s, and now are widely emulated by death metal bands everywhere
2. In the "Effigy of the Forgotten" group photo, a Morpheus (now Morpheus Descends) tshirt is visible. Did this band influence your style?

No, our influence into music started way before that. It was just a shirt of a band we knew and hung with at the time. There was no special meaning behind it.

3. When you write songs, do you start with a concept for the whole song, or do you accrue riff ideas and fit them into a narrative? Do you conceptualize the song in lyrics first, or write music and fit lyrics to it?

When I write personally, I start with the guitar rhythms first and maybe a topic so as to work in a chorus. The song then gets built over time.

The feel and approach of the songs are also built on what emotion I want to portray on stage to the fans or to my self at the time.

I usually have the song complete with riffs, drums and a definite lyric direction before I submit it to the others. It can be done in days, or take months.

It depends on my mental state at the time. When things are good, things flow, when I'm stressed riffs and concepts take their time to form.

Night City was like a deranged experiment in social Darwinism, designed by a bored researcher who kept one thumb permanently on the fast-forward button. Stop hustling and you sank without a trace, but move a little too swiftly and you'd break the fragile surface tension of the black market; either way, you were gone, with nothing left of you but some vague memory in the mind of a fixture like Ratz, though heart or lungs or kidneys might survive in the service of some stranger with New Yen for the clinic tanks. Biz here was a constant subliminal hum, and death the accepted punishment for laziness, carelessness, lack of grace, the failure to heed the demands of an intricate protocol. - William Gibson, Neuromancer
4. Is there a relationship between how an artist sees the world, and the type of music he or she will then make? Do people who see the world in similar ways make similar music?

I suppose your experience in life dictates your music. But one who wants to murder someone or cause mayhem could write a death metal song as well as blues or Grunge. For example, Kurt Cobain had a successful life in music but still chose to expire early, but the grunge music didn't dictate or preach the message of suicide.

So it is what it is, the skill you have as a musician will dictate the type of music you play. Even though you may be a member of Satan's circle you could easily sing bubble gum pop because you have no special skills musically.

5. What distinguishes art from entertainment, and if they overlap, is there a difference in goals between the two?

There is no difference. The artist usually is looking to speak or release through their choice of artistry first, if the world happens to catch on then thats a bonus.

I would still be a musician who speaks through music if no one knew of Suffocation.

6. Do you think death metal has a distinctive worldview different from that of "normal" people? Can people interpret that worldview from the sound of the genre, and does this make them converge on musical communities?

First you would have to show me what a normal person is. I dont know of any or why they would be considered such.

I know plenty of dummies though. The communities they choose depends on the path their life experiences took them.

7. Some have said that death metal and black metal use "narrative" composition, where a series of riffs are motifs that evolve toward a passage between states of mind for the listener. Is this true, and if so, how is it reflected in your songwriting?

To each his own, some bands write with no goal or direction.

Suffocation chooses to have a purpose to the way the riffs, tempos and impact come across.

We hope to stir a certain emotion. We start by writing to draw the emotion within ourselves first, and hope the fans understand the idea.

8. Although your music is technical, you have taken pains to distance yourselves from technicality for technicality's sake. What is the difference between technicality, progression, pretense and good (death metal) art?

The difference lies in the person listening. Technical to some could be as simple as a Sesame Street song to me.

My version of technicality is to be unique and unpredictable, without confusing the listener. Classical is completely intense and technically composed, but its purpose and direction is crystal clear when listened too. It just wasn't created for the unskilled to pick up and play to like alot of the top selling crap.

The end result of complete cellular representation is cancer. Democracy is cancerous, and bureaus are its cancer. A bureau takes root anywhere in the state, turns malignant like the Narcotic Bureau, and grows and grows, always reproducing more of its own kind, until it chokes the host if not controlled or excised. Bureaus cannot live without a host, being true parasitic organisms. (A cooperative on the other hand can live without the state. That is the road to follow. The building up of independent units to meet needs of the people who participate in the functioning of the unit. A bureau operates on opposite principle of inventing needs to justify its existence. ) Bureaucracy is wrong as a cancer, a turning away from the human evolutionary direction of infinite potentials and differentiation and independent spontaneous action, to the complete parasitism of a virus.

(It is thought that the virus is a degeneration from more complex life form. It may at one time have been capable of independent life. Now has fallen to the borderline between living and dead matter. It can exhibit living qualities only in a host, by using the life of another -- the renunciation of life itself, a falling towards inorganic, inflexible machine, towards dead matter. ) - William S. Burroughs, Naked Lunch

9. Have the values of metal music changed from the early 90s? How, and what does it make you think?

The values in the music haven't changed. The value in the industry and those with the power to help it grow has changed for the worst and most likely its demise if left in their hands much longer.

Those with the power to promote it don't have the skill to write or create it, so they should do more listening to the direction of the musicians instead of trying to shape and mold the artist to what they think the world needs.

10. "Breeding the Spawn" followed a massively successful debut with an album that reached farther but seemed less complete as a vision. How did you learn from this, and how has it influenced your later work?

We learned that we need to record with who we wish to record with, and let the label take what we give them, when we give it to them. For BTS we followed the direction of our label which led to an unsatisfactory outcome that won't happen again for Suffocation. We write record and produce our own. No one knows better than us what we are looking for so we've chosen to stay self contained in many aspects.

Suffocation band photo of death metal band Suffocation from New York, who invented percussive death metal
11. What influenced the choice of Latinate language and structuralist phrases in song titles and lyrics? (Epitaph of the Credulous, Anomalistic Offerings, Liege of Inveracity -- a beautiful use of language)

The need to be different, unique, and think out of the box of most at the time.

12. On "Despise the Sun," you mixed more fluid phrasing -- fast tremolo strum, fewer hard stops -- into what was otherwise percussive, or based on syncopated patterns of hard stops, music. What prompted this change and how have you developed this since then?

An unfocused Suffocation prompted the change. Some wanted to stay as is, others lost focus of our originality and chose to try and follow what was the trend. The band called it quits soon after.

Here are some revealing excerpts from an especially vivid hacker manifesto: "The Techno-Revolution" by "Dr. Crash," which appeared in electronic form in Phrack Volume 1, Issue 6, Phile 3.

To fully explain the true motives behind hacking, we must first take a quick look into the past. In the 1960s, a group of MIT students built the first modern computer system. This wild, rebellious group of young men were the first to bear the name 'hackers.' The systems that they developed were intended to be used to solve world problems and to benefit all of mankind.

As we can see, this has not been the case. The computer system has been solely in the hands of big businesses and the government. The wonderful device meant to enrich life has become a weapon which dehumanizes people. To the government and large businesses, people are no more than disk space, and the government doesn't use computers to arrange aid for the poor, but to control nuclear death weapons. The average American can only have access to a small microcomputer which is worth only a fraction of what they pay for it. The businesses keep the true state-of-the-art equipment away from the people behind a steel wall of incredibly high prices and bureaucracy. It is because of this state of affairs that hacking was born. - Bruce Sterling, The Hacker Crackdown

13. You've got a best of collection out on Roadrunner and two post-reunion albums that lead the subgenre of percussive technical death metal. Where to from here?

The new album is in the works. It is titled BLOOD OATH. We expect our first DVD to be out very shortly as well.

Then we plan to make only the right choices in touring and biz associates to ensure that we finally reach the level we truly feel we deserve to indulge in.

20 years has been long enough to prove that we aren't an overnight success or a basement idea. We mean what we say, show and promote, and I dont expect it to change anytime soon.

thanks for all the great music, and i appreciate your taking the time to answer my questions, as will our readers. hope to see you on tour!
No doubt, no problem, take care.
Death Metal and Black Metal Search Engine

The Metal Basement

30 07 12 - 14:32

New radio program DJ'd in part by one of our users:

The Metal Basement with Maniacal Michael & the Basement Bunch.

It airs every Tuesday night from 10-12 PM PST.

 

Metal Rising Worldwide

30 06 12 - 08:34

 

Beherit - "Celebrate the Dead"

18 06 12 - 19:34

Black metal + dubstep



Numen - intention = essence
 

Why this blog has been silent

31 03 12 - 05:58

We've moved it.

 

Impiety - Ravage and Conquer

03 03 12 - 06:07

Impiety - Ravage and Conquer



This album is thoroughly enjoyable energetic and simple death metal which incorporates enough hints of melody and harmony to give the songs memorability. However, on the whole it belongs to that category of bands which are guilty pleasure bands by design. They do not aim for profundity, but rather intensity. We might list Vader and Angelcorpse as well, or maybe early Grave, because they have a similar low-tech approach. There is not much that is musical about this release. It is pure rhythm, with the aforementioned musical elements tacked on to keep your interest. But as rhythm, it has the intensity of later Angelcorpse and the raging power of broad basic statements that propelled early Grave. Its songs are not as memorably constructed as those on Exterminate or Into the Grave, have more the intensity of mid-period Vader, but in a time of feeble self-pitying rock bands trying to be hipster "metal," it's gratifying to find something with heart. You will tap your feet to these energetic, propulsive tunes and appreciate the sheer violence out of which they are created. Unlike many recent albums which drag you along for the ride, Ravage and Conquer drops you into the middle of it and makes you fight your way out.

 

Imprecation - Angel of Salvation's Doom (2012)

29 02 12 - 19:08



From their new blasphemous album. Sounds good, with a few nods to 1980s mainstream technical metal, pissing all over 2010s technical metal.
 

DEAD CAN DANCE tour dates announced

29 02 12 - 05:21

SEPTEMBER

19th - HCTAT, Istanbul, Turkey
21st - Earth Theatre, Thessaloniki, Greece
23rd - Lycabetus Theatre, Athens, Greece
25th - MCV, Utrecht, Holland
27th - Grand Rex, Paris, France
29th - Cirque Royal, Brussels, Belgium

OCTOBER

1st - Alte Oper, Frankfurt, Germany
3rd - Tempodrom, Berlin, Germany
5th - CCH, Hamburg, Germany
7th - Philharmonie, Munich, Germany
8th - Philharmonie, Cologne, Germany
10th - KCP, Prague, Czech Republic
12th - Bkz Oktyabrsky, St. Petersburg, Russia
13th - Crocus City Hall, Moscow, Russia
15th - Sala Kongresowa, Warsaw, Poland
17th - Papp Laszlo Arena, Budapest, Hungary
19th - Teatro Degli Arcimboldi, Milan, Italy
20th - Batiment Des Forces Motrices, Geneva, Switzerland
22nd - Auditori, Barcelona, Spain
24th - Casa Da Musica, Porto, Portugal
26th - Royal Albert Hall, London, England
28th - Grand Canal Theatre, Dublin, Ireland

Dates for the North American, South American and Asian legs of the tour will be announced shortly, along with ticket sales information

www.deadcandance.com
 

IMPRECATION update

22 02 12 - 17:48

New Imprecation tracks will be unleashed next week, the release should be ready by the end of March. The songs to come are entitled "Hosanna Ex Inferis" and "Angel of Salvation's Doom". - David Herrera
 

SUMMONING working on new materail

19 02 12 - 19:00


19.02.2012
After a longer winter-sleep summoning is back again and ow works constantly for a new release. We promise that in the near future we will regularly update the homepage again, so it will we worth the costs to check the page in regular intervals.

The present situation of Summoning:

In the past years we have worked on new material just very rarely because of different reasons (partly personal, partly being not motivated enough) but since the last months ,we intensified the work for new material and realised, that the old spirit is back again and we are very motivated for a cool new release and we are very committed in every terms of composing.

Meanwhile there are two songs which are fix starters for the album. 4 or 5 songs are in a more advance state and we composed riffs for at least 10 or 15 songs in a very early state. Btw. we still have one finished song from the last oath bound session which also will be in one or another way. so probably this time we are in the luck situation that we have more songs left, so maybe there will be some special limited fan releases beside the normal release, but this is of course just a wish right now.

We hope that until the end of this year most of the material for the new album can be finished. In the moment we have no concrete conception about the lyrical concept. All we can say right now is, that Summoning is still alive and middle earth will awake again. - SUMMONING official web presence


This is encouraging.

It does not sound like it will be soon, but so long as quality is high, it will be massively anticipated.
 

THRASH is not SPEED METAL

18 02 12 - 16:52



Mix together the early CIRCLE JERKS, early BLACK FLAG, MDC, MINOR THREAT, SSD, TERVEET K�DET, and GANG GREEN, and you have something approximating these DIRTY ROTTEN IMBECILES (so-called by their parents). What can I say--this is manic, intense, tight thrash with great lyrics, and I can't wait till these Houston boys unleash themselves upon the rest of us deprived people. 22 songs.
-Tim Yohannan (from Maximum Rocknroll #5, March/April 1983)

 

PROFANATICA - Sickened By Holy Host / The Grand Masters Session

18 02 12 - 16:51



This oddity features an all new 39 minute mini-album plus the "The Grand Masters Session" Box Set on CD for the very first time. Nearly 80 minutes of true blasphemy & perversion.

PART #1 features 5 new songs plus 2 old classics written and recorded by Ledney with a session member. The performance on this work is much like their primitive NECROVORE-ous atrocities committed in the early '90s and allows for safe assumption of what could have been heard on their long-lost album, "The Raping of the Virgin Mary."

Meanwhile, PART #2 features the same titles but written and recorded by Gelso alongside the same drums & vocals performed on part #1. The execution of this session continues in the more musical direction showcased on their first 2 albums and incorporates soundscapes sonically compiled by the late Aragon Amori. The end result is nothing short of devastating, and the vast contrast between these two sessions takes on the form of an album in itself that is sure to appeal to both old & new devotees of the black cult.

Finally, "The Grand Masters Session" previously available as a vinyl-only 8" Box Set, is a raging 2008 "live in the studio" recording showcasing many of the classics, a few newer hits and an exclusive medley (a conglomerate of 5 songs).

 

SUPURATION retrospective CD release

17 02 12 - 10:10



Yes, the mighty french legend SUPURATION (aka SUP) are back from the crematory in form of a retrospective collection CD which includes all the earliest and most brutal stuff of the band from '89 /'90 when they were in their most Death Metal shape right before they started to experiment with clean vocals and more varied sounds.

"Back from the Crematory" is the generic title of this cult release which is planned for an imminent release on September 16th. The CD includes the awesome band's debut self-financed mini CD "Sultry Obsession" ('90), their only demo "Official Rehearsal" ('90) as well as the impossible-to-find demo of the band's very 1st studio recording "Haunted" under their previous monicker ETSICROXE as well as a 9-song live show, both from '89.

This masterpiece comes with remastered sound and packed in a total old-fashioned layout in contrat to their latter weird & sophisticated designs. Includes killer 12-pages booklet featuring an exclusive retro-interview, liner notes, cover and tons of old photos & flyers. This definitely a must-have release not only for every SUPURATION fan, but for every lover of the good old Death Metal from late 80's and early 90's!!

http://www.xtreemmusic.com/
 

Lord Wind - Ales Stenar

12 02 12 - 07:36

New Lord Wind: not metal per se, but metal in spirit, and it will be hard to beat this impressive CD that I'm already calling as "album of the year."



Note new URL.
 

New SAMMATH

11 02 12 - 12:07

 

YADENU (Yet Another DEMONCY "Enthroned is the Night" Update)

11 02 12 - 12:06

Demoncy (CD) jackets are in production and on their way to completion. No release date has been given yet but we are expecting them roughly around the 22nd of February. - Forever Plagued Records

Can't fucking wait!
 

BLASPHERIAN update

09 02 12 - 17:24

BLASPHERIAN UPDATE:
NEW SONG FOR SPLIT 7" WITH IMPRECATION......FINISHED
2 NEW SONGS,REWORKED VERSION OF 'TO WALK THE PATH...'.... FINISHED
AND NOW WE BEGIN WRITING FOR THE UPCOMING SPLIT WITH CRUCIFIER 'THE POISONERS OF YAHWASTE'...
AND THEN WE RECORD THIS UNHOLY MADNESS....HOPEFULLY SOMETIME IN MARCH/APRIL 2012 ANNO SATANAS...
 

New footage of Quorthon

09 02 12 - 16:42

Part 1:



Part 2:



Part 3:


See also our interview with Quorthon, one of the smartest men in metal.
 

VARG VIKERNES converting to Christianity?

06 02 12 - 20:09

A textual comparison:

A Burzum Story: Part VIII - On Overgrown Paths

'Enter ye in at the narrow gate: for wide is the gate, and broad is the way that leadeth to destruction, and many there are who go in thereat.

Bible

How narrow is the gate, and strait is the way that leadeth to life: and few there are that find it!' Matthew 7: 13-14

All I can say is... oy gevalt. Ripped shamelessly from Faceplant
 

Another DEMONCY update

06 02 12 - 19:55

Okay FPR confirmed the updated jacket design. I'm waiting to hear back that everything is accepted and in production. Remember everything is done but the jacket so once the jacket is done everything gets packaged and sent to us. I'll confirm once the jacket is in production and then I'll confirm once they give us an exact shipping date. I'll feel so much better once these are in the hands of all who preordered as I know we are at fault for accepting these pre's so damn early, considering the time its taking to get this finished.- FPR
 

Typical Gojira Fan

03 02 12 - 01:34



This from fans of the band who penned this lyrical turd:


I hold my inner child within
And tell him not to cry
"don't fear the living"
One day you will stand as a king
And no fear can erase
This light below us
Each one of us is now engaged
This secret we all have
This truth is growing
And as a warrior I have to fight
I can already feel
The love I'll discover


Is it fair to point out that anyone who thinks this is "poetry" or "profound" is of the level of stupidity found mainly in Twilight fans?
 
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