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Interview: Daniel Ekeroth

When the dust settles on a scene, and its formative years are over, someone needs to chronicle how the people involved got the mental and physical place where they could create that scene. Daniel Ekeroth, bassist of Swedish death metal band Insision, wrote a mighty tome in Swedish Death Metal, a book that appeals to all of us who were ever floored by the founding works of Unleashed, At the Gates, Carnage/Dismember, Nihilist/Entombed, Merciless or Therion.
1. You bring up the theme of the organic development of (Swedish) death metal a few times in your book, and at one point contrast it directly with the "top-down" method that you assert birthed second-wave black metal. Can you summarize what you see the strengths and weaknesses of these two "approaches" to be with regard to metal/music?
Daniel Ekeroth, author of Swedish Death Metal and bassplayer in Swedish Death Metal band Insision.I'm not sure it has much to do with weaknesses or strengths, it's just different. As something new grows, you never know what will come next. I guess this is kind of exciting, yet it also means that the next direction might not be your personal taste. But the same goes for the opposite situation, where you start with a formula which then transforms – into something you might not expect! Even though second wave black metal started with some "set rules", or whatever, it kind of changed pretty soon as well. And within a few years some of it was VERY far from what bands like Burzum and Darkthrone was doing in the early 90´s. So I guess everything is constantly in change – and you can never tell what will happen. And if something is to prefer over the other, I think is just a matter of taste.
2. This dichotomy (top-down/bottom-up) is commonly evoked in political and social theory...do you think any parallels can be drawn between these different approaches in metal and those at broader scales?
You probably could (you can always do that), but I guess the results would be ad-hoc.
3. Your book has great detail on the development of Swedish death metal as a closed system, but doesn't touch a lot on external/social stimuli that may have affected it (outside of the mention of the assassination of Olaf Palme). Is there anything else you've considered that may have come into play and that you may not have been able to include in the book?
I think it was a very closed system of a few kids trying to have fun – but the system was scattered around the world (south America, Florida, the UK, Finland, Germany). The conditions in the places all over the world was very different, so I don't think you should draw to big a conclusion about the climate in Sweden. The main thing in Sweden was probably that we had a good economy, and kids could afford instruments and get rehearsal spaces.
4. Have you ever read any sociologists' "outsider" accounts (books) about death and black metal? If so, do you think they are just empty academic exercises or can they offer insight?
I've read everything I have found, and it is always fun to read such things. Still, the conclusions is doomed to be guesses. My experience is that metal evolves in very different places, around people with very different backgrounds. Just one example: the Stockholm scene was basically made up by working class kids, whereas the Gothenburg scene was based around kids from the upper middle class.
5. Your editorial choice to give your personal impression of the bands and music is refreshing, as it helps the reader to understand the subject from a perspective of quality and not necessarily popularity. Were most of your assessments fully honest?
Yes. I think this is the only way to make an interesting read. Still, many opinions are of course colored by the mood I was in when I was listening to the music. Also, I might be suffering from nostalgia in a few instances.
The truth is scandalous. But without it, nothing has any worth. An honest and naive vision of the world is already a masterpiece... As you approach the truth, your solitude will increase.
- Michel Houllebecq, To Stay Alive
6. Most of the insider commentary gives the impression that this was just a ride for a lot of the participants, that they were swept up in a movement bigger than themselves and simply enjoying it moment-for-moment as it came. Anders Schultz's statements make this very clear, for one. Was this true for most of those involved, in your view?
It was a very small movement, but it was just great fun to find out a few other guys interested in the same music as you. I guess this is true of just about any underground movement of any kind anywhere. People were very young you know, and most didn't have any clue at all about the world. Anything you did back then was basically for the hell out of it!
7. In your experience, is it possible to recapture the mood and creative drive (not the exact feeling) of what occurred in Sweden from 1998-1993 in metal anymore?
Certainly so, but not for old geezers like me. Newer generations will find new ways. But maybe it won't be metal next time, I couldn't tell.
8. You never mention Finnish death metal a single time in your book, though they have always had a vibrant and creative death metal "scene" and sound in their own right. How much musical cross-pollination occured between Sweden and Finland?
I think the scenes operated pretty much independently, nobody I interviewed ever mentioned the Finnish scene very much (and I sure did not know anyone from Finland at the time). The Finnish scene deserves a book on its own, bands like Xysma, Demilich and Demigod sure were fantastic.
Every substance is negatively electric to that which stands above it in the chemical tables, positively to that which stands below it. Water dissolves wood and iron and salt; air dissolves water; electric fire dissolves air, but the intellect dissolves fire, gravity, laws, method, and the subtlest unnamed relations of nature in its resistless menstruum. Intellect lies behind genius, which is intellect constructive. Intellect is the simple power anterior to all action or construction. Gladly would I unfold in calm degrees a natural history of the intellect, but what man has yet been able to mark the steps and boundaries of that transparent essence? The first questions are always to be asked, and the wisest doctor is gravelled by the inquisitiveness of a child. How can we speak of the action of the mind under any divisions, as of its knowledge, of its ethics, of its works, and so forth, since it melts will into perception, knowledge into act? Each becomes the other. Itself alone is.
- Ralph Waldo Emerson, Essays: First Series
9. Do you think most people overlook AUTOPSY's influence on the Swedish death metal sound, or is it overstating things to give them a big role?
They were huge in Sweden at the time, and also the first Death album has that same sludgy feeling that would characterize the original Swedish scene. Dismember would certainly not have sounded the way they do without Autopsy.
10. What three demo-level bands do you think would have made "history" had they recorded an album? I assume CREMATORY is one...

Swedish Death Metal band Insision

I would say Mefisto, Morbid and Obscurity. If these bands would have made actual records they would be far more recognized these days. But basically, most of the obscure bands from the 80's would have been highly regarded had they made an album and gotten some attention.
11. Besides the emergence of black metal, was there anything else that had a ruinous effect on Swedish death metal's vibrancy?
Age I would say! You know, people got old and faced problems with apartments, jobs, girlfriends, children and everything else concerning adulthood.
12. What kind of strange things occured in Sweden at the height of the genre's popularity along the lines of ENTOMBED being featured on cheesy television programs?
Well, not very much to be honest. The "mainstream" thing has certainly been overstated. Apart from a few interviews and articles in tabloids, and the occasional review in the mainstream press, death metal basically remained underground. Black metal actually got far more attention, and was just everywhere in the mid-90's.
13. Is Swedish death metal, and music like it, necessarily a youth-based movement?
Well, not any more is it? I guess today it is a genre for 30-40-year-olds. Still, the best albums have generally been made by youngsters – but this is possibly true about most genres.
14. Regarding youth, you mentioned multiple times in the book the sentiment that the first demo/album by any band is the best output. The fact that this feeling seems more widespread among people who actually have decent taste is enough to convince me that stereotypes are truth-based memes. Can you name some prominent exceptions to this "rule" (not necessarily limited to Swedish death metal)?
Young bands are usually hungry and use up their best riffs and ideas on their first efforts, but of course there are exceptions. Sweden's Repugnant went out at their best, and a band like Watain is a million times better today than they were on their debut. Voivod's third and fourth albums are far superior to their first recordings. And Grotesque's last recording is by far their best to my ears.
15. What non-metal influences were most heavily represented in Swedish death metal?
Crust Punk, like Discharge. Especially the Stockholm scene was very rooted in extreme punk.
16. In what directions may it be possible to extend metal in the future without dismantling the essence of it?
Swedish Death Metal, by Daniel Ekeroth (published by Bazillion Points publishers)What we need to do is to reclaim the RIFFS! Modern "metal" mainly seems like melodies and harmonies to me, whereas I always thought the riff was the thing that made it metal. Once the riff is back, I guess any direction is open for exploration. Without the riff, I am not sure we can call music metal at all...
17. Have you seen or read the far more obscure book of similar theme and content that was released after yours (Encyclopedia of Svensk DödsMetall)?
I visited him while he was working on it in Padova, and saw a few segments of it. I also helped him to get in contact with some bands. Still, I have not seen the finished product.
18. What do you strive to achieve with your own bands? Feel free to promote/summarize your musical history.
I just want to play music that I like, and make me feel good about myself. I played in many punk/progressive bands in the 80's before I got serious with Diskonto (crust punk) and Dellamorte (death crust) around 1994. Then I joind Insision (death) in 1999, and Tyrant (black) in 2007. Today I am only a part of Tyrant, since I can't find time for anything else. We actually sound very much like my first band, who only did Sodom and Bathory covers, so I guess my circle is closed!
Delve into the subjects that no one wants to hear about. The other side of the scenery. Insist upon sickness, agony, ugliness. Speak of death, and of oblivion. Of jealousy, of indifference, of frustration, of the absence of love. Be abject, and you will be true.
- Michel Houllebecq, To Stay Alive
19. Swedish death metal, in part through its sustain-heavy "fat sound" (you did a great video explaining this that showed up recently), emphasized the melodic aspects of death metal, giving a canvas for bands like Dismember and At the Gates to make melodic metal music that wasn't "melodic" in the sense of heavy metal but interpreted it in a uniquely "death metal" style. Did this influence black metal to develop later in a more melodic direction?
I guess Dissection in particular influenced much of that melodic black metal (and – death metal!) - what they did was so great. But also, I guess some of that mid-90's black metal is so based in harmonies and melodies since the band members didn't come from metal. They didn't know about the riff! I am really glad for a band like Nifelheim for bringing back the riff, and that whole 80's heavy metal touch, back into black metal.
20. Tusen tack för intervjun! Var snäll och påstå några sluta ord här.
Ok, thank you for your attention! I wish you all the best with all your future work!
Death Metal and Black Metal Search Engine

The Metal Basement

30 07 12 - 14:32

New radio program DJ'd in part by one of our users:

The Metal Basement with Maniacal Michael & the Basement Bunch.

It airs every Tuesday night from 10-12 PM PST.

 

Metal Rising Worldwide

30 06 12 - 08:34

 

Beherit - "Celebrate the Dead"

18 06 12 - 19:34

Black metal + dubstep



Numen - intention = essence
 

Why this blog has been silent

31 03 12 - 05:58

We've moved it.

 

Impiety - Ravage and Conquer

03 03 12 - 06:07

Impiety - Ravage and Conquer



This album is thoroughly enjoyable energetic and simple death metal which incorporates enough hints of melody and harmony to give the songs memorability. However, on the whole it belongs to that category of bands which are guilty pleasure bands by design. They do not aim for profundity, but rather intensity. We might list Vader and Angelcorpse as well, or maybe early Grave, because they have a similar low-tech approach. There is not much that is musical about this release. It is pure rhythm, with the aforementioned musical elements tacked on to keep your interest. But as rhythm, it has the intensity of later Angelcorpse and the raging power of broad basic statements that propelled early Grave. Its songs are not as memorably constructed as those on Exterminate or Into the Grave, have more the intensity of mid-period Vader, but in a time of feeble self-pitying rock bands trying to be hipster "metal," it's gratifying to find something with heart. You will tap your feet to these energetic, propulsive tunes and appreciate the sheer violence out of which they are created. Unlike many recent albums which drag you along for the ride, Ravage and Conquer drops you into the middle of it and makes you fight your way out.

 

Imprecation - Angel of Salvation's Doom (2012)

29 02 12 - 19:08



From their new blasphemous album. Sounds good, with a few nods to 1980s mainstream technical metal, pissing all over 2010s technical metal.
 

DEAD CAN DANCE tour dates announced

29 02 12 - 05:21

SEPTEMBER

19th - HCTAT, Istanbul, Turkey
21st - Earth Theatre, Thessaloniki, Greece
23rd - Lycabetus Theatre, Athens, Greece
25th - MCV, Utrecht, Holland
27th - Grand Rex, Paris, France
29th - Cirque Royal, Brussels, Belgium

OCTOBER

1st - Alte Oper, Frankfurt, Germany
3rd - Tempodrom, Berlin, Germany
5th - CCH, Hamburg, Germany
7th - Philharmonie, Munich, Germany
8th - Philharmonie, Cologne, Germany
10th - KCP, Prague, Czech Republic
12th - Bkz Oktyabrsky, St. Petersburg, Russia
13th - Crocus City Hall, Moscow, Russia
15th - Sala Kongresowa, Warsaw, Poland
17th - Papp Laszlo Arena, Budapest, Hungary
19th - Teatro Degli Arcimboldi, Milan, Italy
20th - Batiment Des Forces Motrices, Geneva, Switzerland
22nd - Auditori, Barcelona, Spain
24th - Casa Da Musica, Porto, Portugal
26th - Royal Albert Hall, London, England
28th - Grand Canal Theatre, Dublin, Ireland

Dates for the North American, South American and Asian legs of the tour will be announced shortly, along with ticket sales information

www.deadcandance.com
 

IMPRECATION update

22 02 12 - 17:48

New Imprecation tracks will be unleashed next week, the release should be ready by the end of March. The songs to come are entitled "Hosanna Ex Inferis" and "Angel of Salvation's Doom". - David Herrera
 

SUMMONING working on new materail

19 02 12 - 19:00


19.02.2012
After a longer winter-sleep summoning is back again and ow works constantly for a new release. We promise that in the near future we will regularly update the homepage again, so it will we worth the costs to check the page in regular intervals.

The present situation of Summoning:

In the past years we have worked on new material just very rarely because of different reasons (partly personal, partly being not motivated enough) but since the last months ,we intensified the work for new material and realised, that the old spirit is back again and we are very motivated for a cool new release and we are very committed in every terms of composing.

Meanwhile there are two songs which are fix starters for the album. 4 or 5 songs are in a more advance state and we composed riffs for at least 10 or 15 songs in a very early state. Btw. we still have one finished song from the last oath bound session which also will be in one or another way. so probably this time we are in the luck situation that we have more songs left, so maybe there will be some special limited fan releases beside the normal release, but this is of course just a wish right now.

We hope that until the end of this year most of the material for the new album can be finished. In the moment we have no concrete conception about the lyrical concept. All we can say right now is, that Summoning is still alive and middle earth will awake again. - SUMMONING official web presence


This is encouraging.

It does not sound like it will be soon, but so long as quality is high, it will be massively anticipated.
 

THRASH is not SPEED METAL

18 02 12 - 16:52



Mix together the early CIRCLE JERKS, early BLACK FLAG, MDC, MINOR THREAT, SSD, TERVEET K�DET, and GANG GREEN, and you have something approximating these DIRTY ROTTEN IMBECILES (so-called by their parents). What can I say--this is manic, intense, tight thrash with great lyrics, and I can't wait till these Houston boys unleash themselves upon the rest of us deprived people. 22 songs.
-Tim Yohannan (from Maximum Rocknroll #5, March/April 1983)

 

PROFANATICA - Sickened By Holy Host / The Grand Masters Session

18 02 12 - 16:51



This oddity features an all new 39 minute mini-album plus the "The Grand Masters Session" Box Set on CD for the very first time. Nearly 80 minutes of true blasphemy & perversion.

PART #1 features 5 new songs plus 2 old classics written and recorded by Ledney with a session member. The performance on this work is much like their primitive NECROVORE-ous atrocities committed in the early '90s and allows for safe assumption of what could have been heard on their long-lost album, "The Raping of the Virgin Mary."

Meanwhile, PART #2 features the same titles but written and recorded by Gelso alongside the same drums & vocals performed on part #1. The execution of this session continues in the more musical direction showcased on their first 2 albums and incorporates soundscapes sonically compiled by the late Aragon Amori. The end result is nothing short of devastating, and the vast contrast between these two sessions takes on the form of an album in itself that is sure to appeal to both old & new devotees of the black cult.

Finally, "The Grand Masters Session" previously available as a vinyl-only 8" Box Set, is a raging 2008 "live in the studio" recording showcasing many of the classics, a few newer hits and an exclusive medley (a conglomerate of 5 songs).

 

SUPURATION retrospective CD release

17 02 12 - 10:10



Yes, the mighty french legend SUPURATION (aka SUP) are back from the crematory in form of a retrospective collection CD which includes all the earliest and most brutal stuff of the band from '89 /'90 when they were in their most Death Metal shape right before they started to experiment with clean vocals and more varied sounds.

"Back from the Crematory" is the generic title of this cult release which is planned for an imminent release on September 16th. The CD includes the awesome band's debut self-financed mini CD "Sultry Obsession" ('90), their only demo "Official Rehearsal" ('90) as well as the impossible-to-find demo of the band's very 1st studio recording "Haunted" under their previous monicker ETSICROXE as well as a 9-song live show, both from '89.

This masterpiece comes with remastered sound and packed in a total old-fashioned layout in contrat to their latter weird & sophisticated designs. Includes killer 12-pages booklet featuring an exclusive retro-interview, liner notes, cover and tons of old photos & flyers. This definitely a must-have release not only for every SUPURATION fan, but for every lover of the good old Death Metal from late 80's and early 90's!!

http://www.xtreemmusic.com/
 

Lord Wind - Ales Stenar

12 02 12 - 07:36

New Lord Wind: not metal per se, but metal in spirit, and it will be hard to beat this impressive CD that I'm already calling as "album of the year."



Note new URL.
 

New SAMMATH

11 02 12 - 12:07

 

YADENU (Yet Another DEMONCY "Enthroned is the Night" Update)

11 02 12 - 12:06

Demoncy (CD) jackets are in production and on their way to completion. No release date has been given yet but we are expecting them roughly around the 22nd of February. - Forever Plagued Records

Can't fucking wait!
 

BLASPHERIAN update

09 02 12 - 17:24

BLASPHERIAN UPDATE:
NEW SONG FOR SPLIT 7" WITH IMPRECATION......FINISHED
2 NEW SONGS,REWORKED VERSION OF 'TO WALK THE PATH...'.... FINISHED
AND NOW WE BEGIN WRITING FOR THE UPCOMING SPLIT WITH CRUCIFIER 'THE POISONERS OF YAHWASTE'...
AND THEN WE RECORD THIS UNHOLY MADNESS....HOPEFULLY SOMETIME IN MARCH/APRIL 2012 ANNO SATANAS...
 

New footage of Quorthon

09 02 12 - 16:42

Part 1:



Part 2:



Part 3:


See also our interview with Quorthon, one of the smartest men in metal.
 

VARG VIKERNES converting to Christianity?

06 02 12 - 20:09

A textual comparison:

A Burzum Story: Part VIII - On Overgrown Paths

'Enter ye in at the narrow gate: for wide is the gate, and broad is the way that leadeth to destruction, and many there are who go in thereat.

Bible

How narrow is the gate, and strait is the way that leadeth to life: and few there are that find it!' Matthew 7: 13-14

All I can say is... oy gevalt. Ripped shamelessly from Faceplant
 

Another DEMONCY update

06 02 12 - 19:55

Okay FPR confirmed the updated jacket design. I'm waiting to hear back that everything is accepted and in production. Remember everything is done but the jacket so once the jacket is done everything gets packaged and sent to us. I'll confirm once the jacket is in production and then I'll confirm once they give us an exact shipping date. I'll feel so much better once these are in the hands of all who preordered as I know we are at fault for accepting these pre's so damn early, considering the time its taking to get this finished.- FPR
 

Typical Gojira Fan

03 02 12 - 01:34



This from fans of the band who penned this lyrical turd:


I hold my inner child within
And tell him not to cry
"don't fear the living"
One day you will stand as a king
And no fear can erase
This light below us
Each one of us is now engaged
This secret we all have
This truth is growing
And as a warrior I have to fight
I can already feel
The love I'll discover


Is it fair to point out that anyone who thinks this is "poetry" or "profound" is of the level of stupidity found mainly in Twilight fans?
 
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